Blog

  • Welcome to the Zukiswa Wanner Website

    Welcome to the Zukiswa Wanner Website

    Zukiswa Wanner is an award winning South African author, curator, editor, and publisher.

    Author

    She is the author of the novels The Madams (Oshun, 2006); Behind Every Successful Man (Kwela, 2008), Men of the South (Kwela 2010) and London Cape Town Joburg (Kwela, 2014). She has also written two works of nonfiction, Maid in SA (Jacana, 2013) and Hardly Working (Black Letter Media, 2018). She authored four children’s books Jama Loves Bananas (Jacana, 2011), Refilwe (Jacana, 2013), The Seven Continents: Africa (Scholastic, 2019) and Black Pimpernel: Nelson Mandela on the Run (Pushkin Press, 2022).

    Awards

    She won the K Sello Duiker Award at the South African Literary Awards for her London Cape Town Joburg in 2015; she was shortlisted for the same award in 2007 for her debut novel The Madams. In 2020, she became the first African woman to be awarded the Goethe Medal, a German state award for her contribution to cultural exchange. She was selected among the pan-Africanist New African magazine’s 100 Most Influential Africans and cited by literary blog Brittle Paper as Literary Person of the Year 2020.

    Editor

    She has edited alongside Rohini Chowdhury, Behind The Shadows. Contemporary Stories from Africa and Asia (2012), on her own Water Birds on The Lake Shore (Ouida Books, 2019) also published in French and Kiswahili, and The Heart is A Bastard (2023) also published in Kiswahili as Moyo ni Mwanaharamu (edited by Elias Mutani).

    Publisher

    She is the co-founder of the Paivapo Publishing house established in 2018. Its titles include the children’s anthology Story Story, Story Come edited by Maimouna Jallow, Mukoma wa Ngugi’s We, the Scarred (originally published by Ohio University Press as Mrs Shaw), Yara Nakahanda Monteiro’s Loose Ties and The Daughters of Nandi by Nokuthula Mazibuko Msimang. She has also taken the rights back for her novels which are under the same publisher.

    Keen to ensure that as many children as possible get access to the beautiful stories in Story Story, Story Come, she has had the book translated into isiXhosa, Tshivenda and Kiswahili and has personally translated the book into Shona.

    Curator

    Wanner is the creator and curator of the arts initiative Artistic Encounters which has been running since 2017 and has had performances in Nairobi, Kenya, Johannesburg, South Africa and in June, Zurich, Switzerland.

    In 2020, she founded the first pandemic literary festival Afrolit Sans Frontieres which morphed to Virtually Yours. In the same year, she became the first African woman to be awarded the Goethe Medal, a German state award for her contribution to cultural exchange; was selected among the pan-Africanist New African magazine’s 100 Most Influential Africans and was cited by literary blog Brittle Paper as Literary Person of the Year 2020.

    Keynote addresses

    Ms. Wanner has delivered keynote addresses for The Time of The Writer Festival (2020), US’s African Students Association Black Women’s Caucus (2021) and East Africa Literary and Cultural Studies (2021).

  • Statement on surrendering the Goethe Medal over Germany’s continued support of the genocide in Gaza.

    Statement on surrendering the Goethe Medal over Germany’s continued support of the genocide in Gaza.

    My name is Zukiswa Wanner.

    I am a writer, editor, publisher and curator who considers the African continent my home. In 2020, I became the first woman on my continent to receive the Goethe Medaille alongside Bolivian artist and Museum Director Elvira Espejo Ayca and writer Ian McEwan from the United Kingdom. While the Goethe Medal is conferred by the Goethe-Institut to ‘non-Germans who have performed outstanding service for international cultural relations’, it is important to note that the award is an official decoration of the Federal Republic of Germany.

    I note and appreciate Goethe-Institut President Carola Lentz’ statement from an article of 14 January, 2024 in Der Spiegel where she says, and I quote, Longstanding partners in the international cultural world are losing trust in the liberality of Germany’s democracy and poses the question, should the Aaswartige Kultur und Bildungspolitik (AKPB) support only persons or groups who accommodate the political/moral agenda of the respective German government? She concludes otherwise and notes that organisations like Goethe-Institut must not become the extended arm of the government, particularly in difficult political times. In the same vein, Goethe-Institut Johannesburg, which is the regional headquarters for Sub Saharan Africa stated in a statement on 7th February, 2024 ‘As to the current war in Gaza – we are convinced that in view of the catastrophic situation, a new ceasefire is urgently needed. The rising number of civilian victims is unacceptable. It’s important to state this so I highlight that this is NOT a statement surrendering the medal because of the Goethe-Institut and its position even where we may not always agree. I mention the Goethe-Institut’ statement by way of explaining that my actions are not a critique of the cultural institution but rather of the government.

    In May 2023, while attending Palestine Festival of Literature and months before October 7, I was in the Occupied Palestine Territories and travelled to Ramallah, Nabi Saleh, East Jerusalem, Hebron and Lydd. As a writer coming from a country with a history of apartheid, what I experienced shook me and resulted in my writing a long essay Vignettes of a People in an Apartheid State. One did not need to be from a country with a history of apartheid to see the daily injustices and indignities visited on Palestinians. Palestinians have separate roads, different number plates and are constantly under threat from strangers from the United States or white South Africans with apartheid nostalgia who come with guns and the protection of Israeli Defence Forces to settle into their homes. Indeed, unlike most literature festivals, PalFest takes the writers to multiple cities since Palestinians are unable to travel without permission from Israel, much like South Africa during apartheid, just more cruel.

    This is why I am giving up the medal.

    I understand Germany’s guilt for the Holocaust.

    I do.

    That guilt is appropriate and has enabled Germany to face its unconscionable past.

    But it is this that makes its position on a current genocide in Palestine all the more shameful. As an aside and as an African, I wish the German government exhibited the same regret for their history in Namibia with the Herero-Nama genocide and for the genocide during the Maji Maji Rebellion in Tanzania. Equally important, I wish that the German government, in reflection and saying ‘never again’ would acknowledge that NEVER AGAIN should be for ANYBODY. Instead, what I see is Germany being on the wrong side of a genocide again (as per International Court of Justice provisional ruling to the case brought on by South Africa). Additionally, according to the United Nations High Commission for Refugees, Federal Republic of Germany and United States of America are the biggest arms exporters to Israel. With more than 30 thousand killed in Gaza, this should have been a mea culpa moment for the Federal Republic of Germany, instead, they seem to have doubled their support for a very problematic government.

    Culturally, since October 7, 2023, I have seen Germany disengaging from artists for their position on the colonial state that is Israel even in light of Israel’s failures to adhere to the Oslo Accord (which was a super mediocre document for Palestinians). I am reading that of the cultural events cancelled by Germany, 30 percent are by Jewish artists who are anti-Zionist. This has failed to make sense to me that Jews can be considered antisemitic (obviously ignoring that Palestinians are a semitic people as those in support of the Israeli government seem intent on forgetting). More recently, during the Berlin Film Festival, Palestinian filmmaker Basel Adra and Israeli journalist Yuval Abraham won best documentary prize for their film No Other Lands which shows the eradication of Palestinian villages in the West Bank. The German Cultural Minister is reported to have stated her applause was only for the Israeli half of the filmmaking duo. South African history has a phrase for this. Petty Apartheid.

    I thus find myself unable to stay silent or keep an official decoration from a government that is this callous to human suffering.

    Ends.

  • On the resignation of UN official Craig Mokhiber

    On the resignation of UN official Craig Mokhiber

    As we continue weeping for all civilians killed in Gaza. As we witness Bibi Netanyahu disregarding any Israeli hostages and bombing indiscriminately.
    As we witness even from our own safe distances, settlers killing and removing Palestinians from their homes in the West Bank.
    We also should acknowledge people of good conscience like Craig Mokhiber.
    Countries that refuse to be part of this genocide like Bolivia.
    The Security Council was established, at the end of WW2, to ensure that a genocide akin to what happened in Germany to the Jews under Hitler would never happen again. Yet here we are and members of the Security Council are on the wrong side of history as we watch.
    And no.
    Questioning Bibi’s genocide is not antisemitic, f*** you very much. Palestinians, too, are a semitic people. Jewish people of good conscience worldwide are speaking up against these bombings. This genocide.
    And oh.
    Former victims can become oppressors too.
    The world ignored South African apartheid for so long because the British had put Afrikaners in concentration camps during the 2nd South African War (a.k.a Second Anglo-Boer War).
    And precious Zionist South Africans who have never been to Palestine and engaged with that apartheid state, please stop clutching your precious pearls and tell us how you are feeling unsafe.
    No-one is doing anything to you just as no-one did anything to any white person in 1994. You are a protected species.
    There is no night of long knives and it’s not always about you all. Geez. Please learn from the late Nadine Gordimer. She went into the Occupied Territories. She testified. Israel is an apartheid state.
    And certain African governments. We see you. You who were colonised. Supporting those who colonise and murder indiscriminately because its expedient to do so. Because you need to ask for another loan from Bretton Woods institutions run by countries whose governments are supporting this genocide. Arresting your citizens supporting Palestinians. We see you. History will not be kind to you but may be the mythical man in the sky you all fast to is cool with it. Maaan!!

  • November 2: Virtually Yours with Leila Aboulela

    November 2: Virtually Yours with Leila Aboulela

    Leila Aboulela’s River Spirit is the featured book for the series “Virtually Yours,” which runs on November 2, 2023. He will be moderated by Zukiswa Wanner. The event hosted by Goethe-Institut Namibia will run from 4pm GMT, 5pm WAT, 6pm CAT, and 7pm EAT.

    Virtually Yours is a regional project of Goethe-Institut Sub Saharan Africa, a series of online discussions with contemporary authors from Africa. “Virtually Yours” aims to create an online platform for avid readers, writers, academics, publishers, agents, and anyone else interested in literature by writers from Africa. The series of online discussions held once a month has featured Kalaf Epalanga, Abubakar Adam Ibrahim, Yvonne Adhiambo Owuor, Oswalde Lewat, Niq Mhlongo, Jennifer Nansubuga Makumbi, Tendai Huchu, Natasha Omokhodion-Kalulu Banda, Ondjaki, Ishmael Beah, Siphiwe Gloria Ndlovu, Rémy Ngamije, and Nadifa Mohamed.

    The featured guest for this event is Leila Aboulela’s River Spirit.

    Leila Aboulela

    Leila Aboulela
    Leila Aboulela

    Leila Aboulela is the inaugural winner of the Caine Prize for African Writing. Her sixth novel, River Spirit, was published in March 2023 and described by the New York Times as ‘dazzling… a novel about war, love, faith, womanhood and, above all, the struggle for truth and public narratives’. Leila’s previous novels include Bird Summons, The Kindness of Enemies, The Translator, Minaret and Lyrics Alley, winner of the Scottish Book Awards for Fiction. Her collection of short stories, Elsewhere, Home, won the Saltire Fiction Book of the Year. Leila’s work has been translated into fifteen languages and she has been shortlisted three times for the Orange Prize (now the Women’s Prize for Fiction). She grew up in Khartoum and moved to Scotland in her mid-twenties, where she now lives. Leila is an Honorary Professor at the WORD Centre, University of Aberdeen, and a Fellow of the Royal Society of Literature.

    River Spirit

    RIver Spirit by Leila Aboulela

    1890s Sudan. When Akuany and her brother are orphaned in a village raid, they are taken in by a young merchant, Yaseen, who promises to care for them – a vow that tethers him to Akuany throughout their adulthood. As revolution begins to brew, led by the self-proclaimed Mahdi, Sudan begins to prise itself from Ottoman rule, and everyone must choose a side. Yaseen feels beholden to stand against this false Mahdi, a decision that threatens to splinter his family. Meanwhile, Akuany is moved across the country alone, sold and traded from house to house, with only Yaseen as her intermittent lifeline. Their struggle mirrors the increasingly bloody struggle for Sudan itself: for freedom, safety and the possibility of love. River Spirit is the unforgettable story of a people who, against the odds and for a brief time, gained independence from foreign rule through their willpower, subterfuge and sacrifice.

    When: Thursday, November 2nd 2023

    04:00 PM Universal Time (UTC) Accra
    05:00 PM West African Time (WAT) Lagos, Douala
    06:00 PM Central African Time (CAT) Windhoek, Johannesburg
    07:00 PM East African Time (EAT) Nairobi, Addis Abeba

    To register for this event please click here.

  • New Book: Vignettes of People in an Apartheid State

    New Book: Vignettes of People in an Apartheid State

    My new book Vignettes of People in an Apartheid State was made available to the public today, Friday, October 13, 2023. Here is the blurb;

    In May 2023, South African author Zukiswa Wanner was a guest of the Palestine Festival of Literature. Coming from a country with a history of apartheid, she should have had an inkling of what to expect but her experiences were more than she bargained for. As Palestinians are not permitted to travel across checkpoints, the Palestine Festival of Literature brought her among other festival participants to different parts of the Palestinian territories (glorified bantustans) for literary engagement with audiences. Vignettes is her witness account of contemporary settler colonialism, genocide, and a world that’s damned by its refusal to hear the pleas for a truly free Palestine.

    At the moment, the book is only available at Cheche Books in Nairobi, Kenya.

  • Ake Festival 2023

    Ake Festival 2023

    The Ake Arts & Book Festival, popularly known as the Ake Festival, has been running in Nigeria since 2012. Lovers of books and the arts attend book readings, panel discussions, poetry recitals, film screenings, theatre and music performances and lots more over the week of the festival. The festival this year has the theme “Blood Ties” and runs from November 22 – 25, 2023.

    I will be a guest at the Ake Festival in November.

  • October 5: Virtually Yours with Kalaf Epalanga

    October 5: Virtually Yours with Kalaf Epalanga

    Kalaf Epalanga’s Whites Can Dance Too is the featured book for the series “Virtually Yours,” which runs on October 5, 2023. He will be moderated by Ondjaki. The event hosted by Goethe-Institut Namibia will run from 4pm GMT, 5pm WAT, 6pm CAT, and 7pm EAT.

    Virtually Yours is a regional project of Goethe-Institut Sub Saharan Africa, a series of online discussions with contemporary authors from Africa. “Virtually Yours” aims to create an online platform for avid readers, writers, academics, publishers, agents, and anyone else interested in literature by writers from Africa. The series of online discussions held once a month has featured Abubakar Adam Ibrahim, Yvonne Adhiambo Owuor, Oswalde Lewat, Niq Mhlongo, Jennifer Nansubuga Makumbi, Tendai Huchu, Natasha Omokhodion-Kalulu Banda, Ondjaki, Ishmael Beah, Siphiwe Gloria Ndlovu, Rémy Ngamije, and Nadifa Mohamed.

    This month’s guest is Angolan musician and writer Kalaf Epalanga best known internationally for fronting the Lisbon-based dance collective Buraka Som Sistema. He is a celebrated columnist in Angola and Portugal. Whites Can Dance Too is his acclaimed debut novel; it was first published in Portugal by Editorial Caminho (2017). It is an exhilarating debut novel told through three different voices, Whites Can Dance Too is Kalaf Epalanga’s reflection on and celebration of the music of his homeland, the intertwining of cultural roots, and freedom and love. The English translation was done by Daniel Hahn and it was published by Faber & Faber (get a copy here).

    To register for this event please click here.

  • World Premiere of As Madames (the play)

    World Premiere of As Madames (the play)

    The World Premiere of As Madames (the play) at the Centro Cultural University in Maputo, Mozambique on Friday, September 15, 2023. It was absolutely brilliant, thanks to a breath-taking adaptation by Evaristo Abreu and inspired casting, marvellous acting and kickass directing by Clotilde Guirrugo.

    Maputo came out in numbers on a Friday evening. Their laughter filled me with joy and the book-buying post show was the cherry on top. Totes chuffed to see high school friend Honana Ndelana and fellow scribes like Virgilia Ferrao, Melio Tinga, Mauro Brito, and Mia Couto come out to support.

    Muito obrigado, Maputo. My heart is fuller than my wine glass😘.

    Maia Couto, Evaristo Abreu and Zukiswa Wanner
    Maia Couto, Evaristo Abreu and Zukiswa Wanner
    Honana Ndelana and Zuksiwa Wanner
    Honana Ndelana and Zuksiwa Wanner
  • AS Madames to launch in Maputo, Mozambique

    AS Madames to launch in Maputo, Mozambique

    As Madames, the Portuguese language version of The Madams to launch in Maputo, Mozambique on Tuesday, September 5, 2023.

    My first novel The Madams abouta Black South African decided to take a white maid, published by Oshun Books in 2006, was a revelation in the South African writing scene. The first translation for this book in Portuguese by Sandra Tamale and is a collaboration between Kiela (Angola) and Ethale Books (Mozambique).

    The event at Wings Kitchen II Cine Teatro Scala Av. 25 de Setembro, No. 1514 at 6pm will be attended by among others translator Sandra Tamale and José P. Castiano.

    The launch details are on the poster.

  • September 7: Virtually Yours with Sue Nyathi

    September 7: Virtually Yours with Sue Nyathi

    An Angel’s Demise by Sue Nyathi is the featured book for the series “Virtually Yours,” which runs on Thursday, September 7, 2023. She will be moderated by Zukiswa Wanner. The event hosted by Goethe-Institut Namibia will run from 4pm GMT, 5pm WAT, 6pm CAT, and 7pm EAT.

    Virtually Yours is a regional project of Goethe-Institut Sub Saharan Africa, a series of online discussions with contemporary authors from Africa. “Virtually Yours” aims to create an online platform for avid readers, writers, academics, publishers, agents, and anyone else interested in literature by writers from Africa. The series of online discussions held once a month has featured Abubakar Adam Ibrahim, Yvonne Adhiambo Owuor, Oswalde Lewat, Niq Mhlongo, Jennifer Nansubuga Makumbi, Tendai Huchu, Natasha Omokhodion-Kalulu Banda, Ondjaki, Ishmael Beah, Siphiwe Gloria Ndlovu, Rémy Ngamije, and Nadifa Mohamed.

    Sue Nyathi was born and raised in Bulawayo and lives in Johannesburg and has previously published three bestselling novels to much reader and critical acclaim: The Polygamist (2012), The GoldDiggers (2018) and The Family Affair (2020). Her newest novel is An Angel’s Demise and has the following blurb;

    An Angel’s Demise is an epic saga that explores a contested legacy and the heartrending destiny of a family. The year is 1977 and the story begins on a farm in Somabhula with the birth of Angel.

    The farm is run by Paul Williams, an outwardly harsh and bigoted man who holds the livelihoods of many in his hands. When Angel’s parents join the liberation struggle, she is left in the care of her grandmothers, who have been in service to the Williams family for generations.

    Angel grows up on the farm over three momentous decades that see a convoluted past and inheritance unfold into an equally complicated present. Through her, we see a woman’s quest to unearth her identity and assert her independence. In the process of self-discovery, Angel realises that sometimes you need to be uprooted before you can grow.

    An Angel’s Demise, Sue Nyathi’s fourth novel, is a gripping tale infused with spirituality. It recounts an explosive story of love, war, bloody massacre and betrayal that encompasses a harrowing history, the cruel caprice of politics, gender-based violence and what happens when ordinary people get caught up in lies.

    We will give away five free books to five lucky readers who will join us, wherever in the world they may be.  It could be you. Details on how to join on poster.